Terre Ouwehand's monologues by actors on video:

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Mother Jones

Rachel Carson

George Sand

Margaret Sanger & Lisa del Giocondo

Grandma Moses

Nadia Boulanger

Terre Ouwehand’s plays:

The Divorce Museum—A Child’s Perspective at Santa Barbara’s Center Stage Theater (DramaDogs, 2005)

O’Keeffe (short versions & full-length version of A Visit with Georgia O’Keeffe) in various cities in U.S.
(Helena Hale’s One Woman Theater, 1987–2005)

Are You Still Here? appearing as part of Love Songs of the Barbarians (Dramatic Women, 1996) and at
Group Repertory Theater in North Hollywood (1991)

Naked Longings at Santa Barbara’s Center Stage Theater (Actors & Playwrights Theater 1992).

Terre Ouwehand’s other works:

Mass for Our Time is Terre Ouwehand’s choral composition with composer John Biggs. It was premiered by the Ventura Master Chorale (1990), released on CD from Consort Press (2001), performed in New York by The Gregg Smith Singers (1992), in St. Peter, MN by the St. Peter Choral Society & Orchestra (2003), and in Marquette, MI by the Marquette Choral Society (2007).

“Living Curriculum” (1988) with her colleague Helena Hale brought her monologues of historical woman into colleges and high schools in Santa Barbara County.

Terre Ouwehand is Associate Professor Emerita from Santa Barbara City College and continues to present versions of her Sacred Literature course for various groups and organizations.

Terre Ouwehand’s books:

Voices from the Well 2: Portraits of Extraordinary Women
   (Old Hand Press, 2015)

Quattro Forma, with Lana Rose, J.E. Chesher, & Alice Scharper
   (Old Hand Press, 2013)

A Visit with Georgia O’Keeffe / Pivot of Power: Eleanor of Aquitaine
   (flip edition, Old Hand Press, 2012)

Singing at the Center (Old Hand Press, 2010)

Writing Your Way to Wholeness: Creative Exercises for Personal Growth
   (Resource Publications, 1995)

The Debris of the Encounter: A Recovery of Self
   (Resource Publications, 1990)

Voices from the Well: Dramatic Portraits of Extraordinary Women
   (MacDonald & Reinecke, 1986).

Jinny Webber's blog:

“Sex and Gender in Shakespeare’s England” www.jinnywebber.com/blog

Jinny Webber is Professor Emerita from Santa Barbara City College and now teaches literature courses for the Osher Lifetime Learning Program of California State University, Channel Islands at their outreach campus in Ojai. Her website is found www.jinnywebber.com.

Jinny Webber's plays:

Both her plays adapt Shakespeare’s words into new theatre pieces:

Tales of Woo and Woe, commissioned and performed by DramaDogs, Santa Barbara. Center Stage, February, 2015; SB Public Library, April, 2015 in celebration of Shakespeare’s birthday.

Queen Undaunted: Margaret of Anjou, 2010 and 2011, Center Stage Theater, Santa Barbara.

Jinny Webber's other works:

“Jocasta Speaks,” short story published in Greek Myths Revisited (Wicked East Press, 2011)

“Doris Lessing’s Prophetic Voice in Shikasta: Cassandra or Sybil?” published in Spiritual Explorations in the Work of Doris Lessing, ed. Phyllis Sternberg Perrakis, (Greenwood Press, 1999)

This essay is a spin-off from her PhD dissertation: The Prophetic Truth of Doris Lessings' Canopus in Argos: Archives, 1986. Department of Religious Studies, University of California, Santa Barbara.

Jinny Webber's books:

Dark Venus, volume 2 of her Shakespeare’s Actor Trilogy
   (Nebbadoon Press, 2014)

The Secret Player, volume 1, Shakespeare’s Actor Trilogy
   (Nebbadoon Press, 2012)

Bedtrick, volume 3, Shakespeare’s Actor Trilogy (To be published soon)

Woman as Writer (Houghton Mifflin, 1978)

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